Sacred and Religious Hymn Sheet Music
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Instrumentation : SSAA(Lat./Eng.) O bone Jesu SSAA; Adoramus SSAA; Regina coeli SA Soli, SSAA. Unaccompanied. Choral Score
Instrumentation : SSAA a cappella(It.) Choral Score Duration : 6'
Instrumentation : SATB Chorus - 188.8.131.52 - 184.108.40.206 - Timp - Perc - Hp - Str(Lat.) Vocal Score Duration : 12'
Instrumentation : SATB a cappella(Lat.) Choral Score Duration : 5'
Instrumentation : SSAA(Lat.) Unaccompanied. Vocal Score Content : O bone Jesu SSAA; Adoramus SSAA; Regina Coeli SA Soli, SSAA. Unaccompanied.
Instrumentation : 5, 9, 10 or 14 voices - with optional instrumental accompaniment(Ger.) Vocal Score
Instrumentation : S Solo - 8pt Chorus - 220.127.116.11 - 18.104.22.168 - Timp - Perc - Str(Lat.) Vocal Score Duration : 15'
This outstanding volume presents the finest of Anton Bruckner's small-scale sacred choral works with instrumental accompaniment. All can be performed with organ (or piano) alone but are greatly enhanced by the use of trombones and strings as specified.As with most of his works Bruckner revisited almost all of these motets and made revisions. The final versions for each have been chosen. This set provides the perfect opportunity for choirs to explore the work of this great composer, offering challenge and reward in equal measure.
A new edition of Mendelssohn's most outstanding unaccompanied choral repertoire, including Kyrie eleison, Heilig, Jauchzet dem Hern alle Welt and Frohlocket, ihr Völker auf Erden.
The sixteenth century was a time of religious upheaval in England. From Henry VIII's protestant reformation through Queen Mary's staunch but short-lived Catholic revival to the return of Anglicanism in Elizabethan times, it would have required careful diplomacy for a Roman Catholic like Thomas Tallis simply to stay alive. In fact he became the most respected composer of his generation and is now recognised as one of the country's greatest composers. 2005 is the five hundredth anniversary of Thomas Tallis' birth and his genius is celebrated in this collection of English-texted sacred music, selected and edited by Jeremy Summerly to provide an invaluable source of introits and anthems for choirs. The volume contains If you love me; Hear the voice and prayer; A new commandment; O Lord, give they holy spirit; I call and cry to thee, O Lord; With all our heart; Discomfit them, O Lord; Why fumeth in sight (the theme upon which Ralph Vaughan Williams based his Fantasia). If you are interested in this volume why not look at these other titles in the choral programme series: Fair Oriana (ed. Jeremy Summerly), Musicke's Praier (ed. Tim Brown) and Passetime with good company! (ed. Jeremy Summerley).
Instrumentation : Mixed Voices a cappellaFrancisco Guerrero was the most widely published Spanish composer of the 16th Century, and his output of sacred music contains many fine examples of the villanesca, a vernacular Spanish motet. In a rare incursion of the vernacular into the traditional Roman Catholic rite, such pieces were commonly used in Spanish churches during communion and on special feast days. Canciones y villanescas espirituales, from which the pieces in the present compilation have been selected, was published in Venice in 1589.
He Teaches Me To Love (Passage Of Reading) (T D Jakes) ; The Lady Her Lover And Lord (Shirley Murdock) (T D Jakes) ; You Are My Ministry (Shirley Murdock) (T D Jakes) ; Holding You Close (Spencer Washington) (T D Jakes) ; Shopping (Interlude) (T D Jakes) ; Satin Sheets (Marvin Sapp) (T D Jakes) ; When God Gave Me You (Jesse Campbell) (T D Jakes) ; Now I Only Dance For You (T D Jakes) (Tamar Braxton) ; From Mother To Daughter (T D Jakes) (Terri Small) ; Lord I Lift Her Up To You (Jesse Campbell) (T D Jakes) ; Pillow Talk (Interlude) (T D Jakes) ; Usher Me (Arnetta Murrill-Crooms) (T D Jakes) ; Talitha Cumi (T D Jakes)
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Sacred and Profane consists of eight settings for unaccompanied voices of lyrics from RT Davis' collection of Medieval English lyrics, composed early in 1975 for Peter Pears and the Wilbye Consort of Voices.
This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Contains: Adoramus Te (We Adore Thee) (Palestrina) * Amen (Stainer) * Cherubim Song (Archangelsky) * Chorale (Bach) * Deep River (Anonymous) * Gloria Patri (Purcell) * Go Down, Moses (Anonymous) * God Of Our Fathers (Warren) * Missa Apostolorum (Cavazzoni) * Old Hundredth (Bourgeois) * Onward, Christian Soldiers (Sullivan) * The Quest (Marianlieder) *Shir Hamaalot (Anonymous).